This is not just a high-speed camera, but an instrument that gives the cinematographer 35mm depth of field either at HD or 2K resolutions with stunning results. The Phantom HD GOLD combines the visual quality of high-definition imaging with the high frame rates of specialty cameras.

■ Shoot HIGH SPEED
■ 1000 fps at 1920 x 1080
■ 1500 fps at 1280 x 720
■ User selectable 8- 10- 12- 14-bit pixel depth
■ EI 640 base sensitivity
■ On-camera controls for full camera operation
The Sony NEX-FS700U Super 35 Camcorder (Body Only) is a fully professional large-sensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model's sensor, the FS700 features a native 4K resolution sensor.

. 4K Exmor Super 35mm CMOS Sensor
. Up to 960 fps Super Slow Motion
. Capture 1920 x 1080/50p Video
. LCD 3.5" Screen with VF Attachment
. ISO 500 (0 dB) to ISO 16,000 (30 dB)
. Dual XLR, HDMI & 3G/HD-SDI Connectivity
 
 
The first camera on the scene remains at the center of the family; it is the keystone of a modular and upgradeable system that offers not just an image capture solution, but an entire image pipeline.

■ Shoot slow motion with ALEXA
■ 60 to 120 fps for Apple ProRes codecs up to 422 HQ (16:9)
■ Film-like, organic look
■ Wide exposure latitude of 14 stops
■ EI 800 base sensitivity (EI 160 to EI 3200)

Same exposure latitude, sensitivity, colorimetry and
low noise level as Regular Speed mode
Film-like, organic look extended, clean highlights,extremely low noise floor, natural skin tones, excellent color separation, cinematic depth of field

■ Wide exposure latitude of 14 stops
■ Up to 60 fps for Apple ProRes codecs up to 444 HQ (16:9)
■ Film-like, organic look
■ Sharp, natural images for 2K and HD
■ EI 800 base sensitivity (EI 160 to EI 3200)
AMIRA, a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.
AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 or 2K pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 200 fps, AMIRA will deliver beautiful, life-like images in any situation.
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. IT perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.It has the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry. Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions – thanks to the 4:3 sensor and automatic de‑squeeze function. Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.
The PMW-F5 features an 8.9 MP Super 35mm image sensor, capable of capturing 2K and HD resolution video via the camera's internal recorder. Sony has designed the F5 as the foundation of a versatile, modular system.

. Super 35mm equivalent single-chip CMOS
. 14 stops dynamic range
. slow motion up to 120fps
. Internal 2K and HD Recording
. Long-Life Olivine Battery and Quick Charger
A camera that excels, With a native dynamic range of over 13 stops and resolution that exceeds 35 mm film. The most advanced processor of its type in the world, enabling EPIC to capture up to 120 frames per second, each frame at full 14MP resolution.
RED ONE has earned its rightful place as the successor to 35mm film acquisition.
Canon EOS C300 BOTH PL AND EF MOUNT
Super 35mm-Size CMOS Sensor
PL Lens Mount to Accept Cinema Lenses
Canon XF Codec - 4:2:2 50 Mb/s MPEG-2
1920 x 1080i60 & True 24p Recording
Rotating 4", 1.23 Mp LCD Monitor
HD-SDI Output, XLR Inputs
Dual CF Card Slots
Timecode I/O, Genlock In & Sync Out
Canon Log Gamma
 
 
The ARRIFLEX 535B is a 35 mm silent production camera that combines convenience and flexibility of operation with the precision and reliability typical of ARRI products. The 535B functions equally well as a studio or location camera for sync sound shooting. It is hard-wearing and sufficiently versatile to serve as the main or even the only camera for a feature film production.
The ARRIFLEX 435 Xtreme is the workhorse of the film industry, the golden standard for 35 mm MOS camera work to be found on sets all over the world. Combining robust construction with a super steady movement, high speed and special in-camera effects, the ARRIFLEX 435 Xtreme is the most versatile MOS camera ever built. It is ideal for features, commercials, music videos, Steadicam or special effects work alike.
Super 16 is ideal for budget-conscious TV productions, features, commercials and documentaries. SR3 ADVANCED
offers new, technologically advanced Super 16mm
 
 
The newest member of Sony's CineAlta lineup, the PMW-F3 inherits DNA from the F35.
The PMW-F3 is equipped with the newly developed Exmor™ Super 35 CMOS image sensor, PL lens mount, and SxS card for 1920 x 1080 full-HD recording.
The PMW-F355 supports multiple frame rate recording such as 59.94i, 50i, and native 23.98P and 25P as well as being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode, 25Mb/s HDV 1080i compatible mode, as well as 25Mb/s Standard Definition DVCAM recording.
The PMW-EX3 compact camcorder with an interchangeable lens system incorporates three ½-inch type Exmor™ Full HD CMOS sensors, each with an effective pixel count of 1920 x 1080, delivering stunning-quality HD images in 1080P, 720P, and 1080i HD resolutions.
Panasonic P2 HD VariCam Series is recognized globally as the industry's premier digital cinematography camera, Panasonic's VariCam® HD Cinema Camera has established itself as an indispensable acquisition tool delivering the distinct, prized look of film. The HD VariCam series advances the art of high-end digital cinematography, combining the exceptional reliability and fast workflow technology with master-quality, 10-bit 4:2:2.
 
 
Canon 5D Mark III
Full HD video recording is supported in multiple formats, including 1080/30p, 24p, 25p; 720/60p, 50p; 480/30p, 25p. While recording video, a 4GB automatic file partition is employed in order to gain longer continuous recording times, up to 29 minutes 59 seconds. Both All i-frame and IPB compressions are supported as well as the standard H.264/MPEG -4 AVC codec.

Video performance is further enhanced with the ability to manually adjust your exposure settings and audio levels while recording. By employing Live View, you can view your recording on the LCD and make settings changes with a dedicated menu tab on the fly. The DIGIC 5+ processor also dramatically improves video response times and helps to reduce color artifacts, aberrations, and moiré.
 
 
The GoPro HERO3: Black Edition Camera is smaller and lighter than its predecessor. It's also Wi-Fi enabled. The HERO3 is designed for recording action sports and it comes with a rugged housing that is waterproof down to a depth of 197' (60 m). The camera captures 4K Cinema, 2.7K Cinema, 1440p and Full HD 1920 x 1080p video. It also captures 960p, 720p and 480p video as well. Plus, it supports NTSC and PAL, and it can record up to 240 fps. For still images, the HERO3 supports 5, 7 and 12-megapixel photos.
 
 
 
 
the ARRI Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras.

For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses.
- Low distortion for uncompromised cinemascope
- Cinematic bokeh with high contrast and nice focus fall-off
- Beautiful skin tones and precise color rendition
- Characteristic oval out-of-focus highlights
The Master Primes finally realized a cinematographer's dream: lenses that are both fast and have an optical performance surpassing that of all standard speed primes. The Master Primes open up new creative opportunities, making shots possible that would have been considered impossible before.

SET INCLUDES, 18MM-25MM-35MM-50MM-75MM-100MM
Ultra Primes have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

SET INCLUDES, 8R-10MM-12MM-14MM-20MM-24MM-28MM-32MM-40MM-50MM-65MM-85MM-100MM-135MM-180MM
The set consists of 40mm T2.3, 50mm T2.3, 75mm T2.8, 100mm T3.4. All lenses have 80mm front diameter
Kowa anamorphic lenses present a number of unique optical characteristics:
* story telling image space
* out of focus of the image resulting a unique anamorphic Bokeh
* out of focus specular highlights
* shallow depth of field
* geometric distortion for wide angle lenses
* oval flares
* aspect ratios wider than the camera’s native ratio without loosing “pixel count”
* organic looking optical aberrations and flares that are typical of anamorphic optics, giving a digitally shot production a unique look that cannot be reproduced in post.
Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine.

SET INCLUDES: 18MM-25MM-35MM-50MM-85MM
These state-of-the-art lenses have become a regular for any feature since released.

The lenses are basically short focal length zooms with the performance of Prime Lenses.
At T2.2 they are very fast and operate over short, overlapping focal length ranges (VP1 16-30mm VP2 29-60mm VP3 55-105mm).
Set includes 18mm-25mm-35mm-50mm-85mm with a t stop of 1.3
Set includes 16mm-24mm-32mm-50mm-85mm-100mm
T stop of 2.1
Set includes 18mm-25mm-35mm-50mm-85mm-100mm
T stop of 1.8
Cine Magic International's new Revolution Lens System, is the world's first snorkel lens system that allows live panning of the objective lens while maintaining a level horizon. The built in image orientation optics allow the image to be rotated to any position within a 360 degree circle. Spinning images can also be accomplished by continuously rotating the image rotation ring.
With the Close Focus Adapter (PL to PL-Mount) you will extend the flange distance between lens and camera. This is possible in steps of 16 / 20 / 25mm or any combination. In use with all PL-Mount lenses you will get a very small depth of field, like macro lenses.
 
 
* Renowned Optimo quality in a lightweight
lens
* Extremely fast aperture of T2.6 with
no ramping
* 320° focus rotation with over 50 precise
focus witness marks and no breathing
* Unrivaled optical performance rivaling prime
lenses at equivalent focal lengths
*Available with PL mount and Canon mounts upon request
* Calibrated focus marks available in
feet or meters
* Expanded capabilities with Optimo 2x and
1.4x range extenders
* Renowned Optimo quality in a lightweight lens
with an incredible range
* Extremely fast aperture of T2.8 with
no ramping
* 320° focus rotation with over 50 precise focus
witness marks and minimal breathing
* Unrivaled optical performance rivaling prime
lenses at equivalent focal lengths
* Available in PL mount Canon mounts available upon request
* Calibrated focus marks available in feet or
meters (easily interchangeable focus ring)
* Expanded capabilities with Optimo 2x and 1.4x
range extenders
 
 
 
 
AMONG OTHERS
■ IR INFRARED HOT MIRROR
■ NEUTRAL DENSITY .3,.6,.9,1.2,1.8
■ GRADUATED NEUTRAL DENSITY SOFT EDGE .3,.6,.9,1.2,1.8
■ GRADUATED NEUTRAL DENSITY HARD EDGE .3,.6,.9,1.2,1.8
■ 85 SERIES 85 CLEAR,85N3,85N6,85N9,85N12
■ SOFT FX 1/2,1,2,3
■ BLACK PRO MIST 1/8,1/4,1/2,1,2,3
■ WHITE PRO MIST 1/8,1/4,1/2,1,2,3
■ GLIMMER 1,2,3
■ TOBACCO 1,2,3
■ CORAL 1/2,1,2,3
■ SEPIA 1,2,3
■ SUNSET 1,2,3
■ CHOCOLATE 1,2,3
■ GRAD BLUE 1,2,3
■ ENHANCING
■ LOW CONTRAST
■ NORTH STAR
AMONG OTHERS
■ IR INFRARED HOT MIRROR
■ NEUTRAL DENSITY .3,.6,.9,1.2,1.8
■ GRADUATED NEUTRAL DENSITY SOFT EDGE .3,.6,.9,1.2,1.8
■ GRADUATED NEUTRAL DENSITY HARD EDGE .3,.6,.9,1.2,1.8
■ 85 SERIES 85 CLEAR,85N3,85N6,85N9,85N12
■ SOFT FX 1/2,1,2,3
■ BLACK PRO MIST 1/8,1/4,1/2,1,2,3
■ WHITE PRO MIST 1/8,1/4,1/2,1,2,3
■ GLIMMER 1,2,3
■ TOBACCO 1,2,3
■ CORAL 1/2,1,2,3
■ SEPIA 1,2,3
■ SUNSET 1,2,3
■ CHOCOLATE 1,2,3
■ GRAD BLUE 1,2,3
■ ENHANCING
■ LOW CONTRAST
■ NORTH STAR
The rotating pola frame comes with German glass custom made for this frame, an engraved dot to record the polarizer position indicated by the DOP, and rotation controls on both sides to allow for easier access in low mode or inverted positions.
 
 
INCLUDES:
1 X WIRELESS 3 WAY TRANSMITTER
1 X WIRELESS RECEIVER
1 X ZOOM MOTOR
1 X FOCUS MOTOR
1 X IRIS MOTOR
 
 
■ 7" PANASONIC WAVEFORM MONITOR
■ 7" TV LOGIC WAVEFORM MONITOR
■ 6" TV LOGIC WAVEFORM MONITOR
■ 7" MARSHALL MONITOR
■ 7" TRANSVIDEO CINE MONITOR
■ 6" TRANSVIDEO CINE MONITOR
■ 7" MARSHALL MONITOR
■ 7" IKAN MONITOR
■ PANASONIC 7" FULL HD WAVEFORM MONITOR
■ PANASONIC 9" FULL HD WAVEFORM MONITOR
■ PANASONIC 17" FULL HD WAVEFORM MONITOR
■ JVC 9" FULL HD WAVEFORM MONITOR
■ JVC 17" FULL HD WAVEFORM MONITOR
■ SONY 21" FULL HD WAVEFORM MONITOR
■ SONY 9" LMD MONITOR
■ SONY 9" MONITOR
■ SONY 14" MONITOR
■ SONY 21" MONITOR
■ TVS 14" MONITOR
■ AJA KI PRO HD RECORDER
■ AJA KI PRO MINI HD RECORDER
■ AJA HD TO SD DOWN CONVERTOR
■ BLACK MAGIC DESIGN HYPER DECK
■ BLACK MAGIC DESIGH HD TO SD CONVERTOR
■ SONY HDV RECORDER
Robust link
Long range (600 m, 2,000 feet)
Zero delay (< 1ms)
Uncompressed
Secure (128 bit AES encryption)
Includes 2 channel audio, TC and REC flag
Up to four receivers per transmitter
4 to 6 transmitter/receiver groups per set
■ TRANSVIDEO TITAN WIRELESS SYSTEM
■ CANATRANS WIRELESS VIDEO MONITOR
■ IDX HD WIRELESS VIDEO SYSTEM
CW-7 SYSTEM
Uncompressed Wireless HD-SDI/SDSDI Transmission System

The new and improved CW-7, uncompressed wireless HD-SDI/SDSDI transmission system delivers superior image quality up to 300ft, while maintaining a zero frame delay. Perfect for outdoor or indoor productions and events, the CW-7 wirelessly transmits HD video and audio from a professional camera to a monitor. Event, television, and film productions can save time on prep by eliminating long cable runs from the camera to video village or display. Dynamic Frequency Selection allows CW-7 to operate on less crowded channels within the license exempt 5GHz spectrum.