the ARRI Master Anamorphic series represents a significant step forward in the technology and practicality of anamorphic cinematography for 35 format digital and film cameras. For the first time, a perfect combination of compact size, minimal weight, very high speed and exceptional optical design with minimal distortion has been achieved in a set of anamorphics. With beautiful out-of-focus backgrounds and a smooth, cinematic look, the Master Anamorphic lenses are as fast and easy to use on set as other modern cine lenses. - Low distortion for uncompromised cinemascope - Cinematic bokeh with high contrast and nice focus fall-off - Beautiful skin tones and precise color rendition - Characteristic oval out-of-focus highlights

Robust link Long range (600 m, 2,000 feet) Zero delay (< 1ms) Uncompressed Secure (128 bit AES encryption) Includes 2 channel audio, TC and REC flag Up to four receivers per transmitter 4 to 6 transmitter/receiver groups per set

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. IT perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

Introducing HERO4 Black, the most advanced GoPro ever. Featuring improved image quality and a 2x more powerful processor with 2x faster video frame rates,1 HERO4 Black takes Emmy® Award-winning GoPro performance to a whole new level. Incredible high-resolution 4K30 and 2.7K604 video and high frame rate 1080p120 video enable stunning, immersive footage of you and your world. New Protune™ settings for both photos and video unlock manual control of Color, ISO Limit, Exposure and more. Waterproof to 131’ (40m) with 12MP photos at a blistering 30 frames per second and improved audio,1 HERO4 Black is the ultimate life-capture solution

AMIRA is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion. Same 35 mm sensor as ALEXA HD 1080/2K; Log C/Rec 709 ProRes up to 4444 on CFast 2.0 cards Dynamic range of 14+ stops Natural colors and skin tones Up to 200 fps – full sensor area

Selection of front, rear and crab steering. Four steering positions. Ergonomic hand control unit with full control display. Column is rotatable and can be separated from the base dolly. The battery connection is a "drop and go" system The multifunctional turnstile mount comfortable manoeuvrability and control of dolly moves